50 años de rock en Argentina by Marcelo Fernandez Bitar

By Marcelo Fernandez Bitar

El rock en los angeles Argentina celebra su cumpleaños número 50 y esta es su historia. Autor de un libro mítico e inconseguible de 1987 (reeditado en 1993 y 1997), Marcelo Fernández Bitar agrega información y testimonios recopilados a lo largo de toda su carrera como periodista especializado, para ofrecer los angeles obra definitiva sobre los angeles música más well known de l. a. Argentina, esa que, como cube Adrián Dárgelos en su prólogo, es capaz de pelearle "el lugar en el airplay al estilo que se esté imponiendo".
Aquí están todos los nombres y todos los hechos, año a año. ¡Y todos los discos! Porque, además de ser un relato cronológico impecable e implacable sobre l. a. construcción de esa enormidad multiforma llamada "rock nacional", incluye los angeles discografía completa de estas cinco décadas. Un ejemplar único y enorme, para recordar, para descubrir y para que el rock jamás baje el volumen. Un clásico remasterizado.

"El rock aquí es todo ese sentido que, como felicidad o angustia, transgrede permanentemente un delgado hilo de l. a. realidad argentina, aun a costa de que al crecer luego uno se sienta como un turista marciano."
Luis Alberto Spinetta (de los angeles Introducción a l. a. primera edición, 1986)

"Este libro intenta registrar l. a. historia de las ediciones y apariciones en escena de los músicos y sus discos, lo que compone al rock nacional. Esta titánica tarea es una edición que conmemora 50 años de rock nacional."
Adrián Dárgelos

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The LA2A is the first one I hit; you have to make sure you are not hitting it too hard. Everything else we recorded with mad outboard gear, Urei 1176s, TubeTechs; and it was cut on a vintage Neve board. ” After vocals, perhaps the most important element on Black Radio was Glasper’s piano. “I like the piano to sound dark and moody and warm like a big couch,” Glasper says. “I ask profile the engineer to make it sound a particular way, but often its sound comes from my touch. And I use a damper pedal, which a lot of pianists don’t use.

They’d become pop stars by accident. K. release of the Ting Tings’ worldwide breakthrough debut album We Started Nothing and the appearance of Sounds From Nowheresville, the duo’s wildly eclectic followup. During that time, Jules De Martino and Katie White nearly called it quits before relocating their mojo on an MP3 player. The only way to understand what was at stake for them is to go back to the beginning. K. in late 2005 after they’d spent a year in the studio. Shell-shocked and embittered, White and De Martino returned to Islington Mill, an artists’ conclave in the Manchester borough of Salford, where they’d been living and working on the scrapped record.

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