eels: Blinking Lights and Other Revelations by Tim Grierson

By Tim Grierson

Title note: additionally published as Blinking lighting fixtures and different Revelations: the tale of Eels
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Over the final 15 years, Mark Everett’s band, Eels, has published 9 acclaimed albums, from Beautiful Freak to 2010’s Tomorrow Morning. Everett is additionally one in every of music’s so much attention-grabbing characters and Blinking Lights covers his strange formative years, the tragedy of his sister’s suicide, his courting together with his marvelous mathematician father and his preliminary struggles to achieve the song industry.

With Everett's blessing, this e-book integrates interviews with these closest to him, together with former band contributors. that includes an in depth discography, this primary biography of the band is an in-depth exam of its large profession.

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Extra resources for eels: Blinking Lights and Other Revelations

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The history of recording technology unfolds in relatively strict counterpoint with the history of world music itself, anchoring it in the materiality of wax cylinders, long-playing records, magnetic tape, audio and video cassettes, and the digital media of CDs and MP3s (see Manuel and Taylor, this volume). The foundation of sound archives not only followed the transformation of recording materials, but also stimulated innovation and experimentation (see Koch), which in turn led to the new materials that revolutionized the dissemination of world music (see Jackson).

Jennings, B. Doherty, and T. Y. Levin, trans. E. , Cambridge, MA: Belknap Press of Harvard University Press (2010) Über den Begriff der Geschichte, vol. 19 in Werke und Nachlaß: Kritische Gesamtausgabe, ed. G. Raulet, Berlin: Suhrkamp Bohlman, P. V. (2002) ‘World music at the “end of history”’, Ethnomusicology, 46, 1: 1–32 Brady, E. (1999) A Spiral Way: How the Phonograph Changed Ethnography, Jackson: University Press of Mississippi Césaire, A. (1972, orig. publ. 1955) Discourse on Colonialism, trans.

Music entered Arabic writing on music in various forms, as theoretical structure and narrative discourse (see Blum), but also in sweeping attempts to write universal histories; for example, that of the fourteenth-century polymath and Muslim intellectual Ibn Khaldūn (1332–1406), whose Muqadimmah (prolegomenon), or introduction to universal history, contains some of the most incisive observations about the musics of different African peoples in comparison with the music of Islam prior to the rise of the West (Ibn Khaldun 1958).

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