Electronic Musician (April 2012)

Digital Musician is the number 1 journal within the U.S. for musicians who list and convey track in a house or own studio surroundings.

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Extra resources for Electronic Musician (April 2012)

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The LA2A is the first one I hit; you have to make sure you are not hitting it too hard. Everything else we recorded with mad outboard gear, Urei 1176s, TubeTechs; and it was cut on a vintage Neve board. ” After vocals, perhaps the most important element on Black Radio was Glasper’s piano. “I like the piano to sound dark and moody and warm like a big couch,” Glasper says. “I ask profile the engineer to make it sound a particular way, but often its sound comes from my touch. And I use a damper pedal, which a lot of pianists don’t use.

They’d become pop stars by accident. K. release of the Ting Tings’ worldwide breakthrough debut album We Started Nothing and the appearance of Sounds From Nowheresville, the duo’s wildly eclectic followup. During that time, Jules De Martino and Katie White nearly called it quits before relocating their mojo on an MP3 player. The only way to understand what was at stake for them is to go back to the beginning. K. in late 2005 after they’d spent a year in the studio. Shell-shocked and embittered, White and De Martino returned to Islington Mill, an artists’ conclave in the Manchester borough of Salford, where they’d been living and working on the scrapped record.

Unfortunately, Hybrid Reverb isn’t available separately. Vienna Suite requires a ViennaKey or Steinberg USB dongle. can’t decide Breakdance You can modulate your chosen impulse response’s volume, panning, decorrelation and low- and high-pass filter corner frequencies over time by creating and dragging breakpoints along respective graphic curves for each function. For example, I could de-correlate the early reflections midway through an impulse’s timeline to make them bloom into a wider stereo image.

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