Home Truths: Gender, Domestic Objects and Everyday Life by Sarah Pink

By Sarah Pink

Houses are outlined by way of smells, sounds, textures and gadgets, all of which replicate how humans dwell their daily lives. From spray-painting the wall to enjoyable within the tub, the goods we use communicate volumes approximately who we're. Home Truths explores fabric and sensory areas of the house to discover how gender roles are played. Sarah crimson indicates how daily goods starting from perfumes to cleaning soap powder imprint and toughen day-by-day reviews and identification. How has the house been laid low with the truth that extra ladies now paintings and extra males spend time engaged in household projects? How do extra conventional family-centered houses evaluate with these belonging to varied family members varieties and other people residing by myself? What does a learn of family gender let us know approximately how swap happens? Answering those questions and lots of extra, Home Truths indicates how daily actions will be deeply revealing of gender roles within the 21st century.

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Extra resources for Home Truths: Gender, Domestic Objects and Everyday Life

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In short both men and women perform different sorts of masculinities and femininities in their domestic creativity, which might resist or contest modern architectural structures and ideologies in specific ways. Thus we must rethink how practices of homemaking and home decoration have been gendered. Like housework, home creativity can be understood as an activity through which human agents constitute their diverse gendered identities, and as such participate in changing gender. g. Moore 1994, Schieffelin 1998).

Classen, Howes and Synott (1994: 9) wrote of a ‘multi-sensory context’, although their main concern was with distinguishing the different sensory mixes that could be found in different cultures. Most notably they argued that modern western culture privileges the visual while other cultures might give more importance to smell or sound, for example. g. Taussig 1991, MacDougall 1998, Stewart 1999: 32). Seremetakis emphasizes the impossibility of separating different sensory experiences, referring to the ‘tactility of smells’ and how ‘each smell generates its own textures and surfaces’ in her sensory memories of her childhood in Greece.

It’s hopeless trying to expect that. So I tend to make a talking point of my eccentricity and the fact that it’s a pigsty, you know, wallpaper’s coming off the walls. And I think they think it’s quite amusing really. Nevertheless Pete told me he found it difficult to stick at housework and decorating, that he had a low boredom threshold and ‘I think secretly I’m 02 Home Truths 29/7/04 9:20 am Page 29 Video, Performance and Experience • 29 quite lazy. I think I’ll work hard. I think I’ve got a working class guilt thing about relaxing, you know.

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