Guitar Techniques [UK] (January 2014)

Guitar ideas journal is concentrating on guitar studying strategies, that includes grasp periods from specialist tutors and step by step publications. comprises interviews, CD and album studies and lengthy transcriptions for the reader to perform and ideal.

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5 3 D/A œ œ œ œ œ œ œ . œ œœ œœ 2 0 2 0 3 0 2 4 2 0 2 0 0 A7/E œœ œ nœ œœ œ œ 0 2 0 2 0 2 3 2 D/A 4 0 A/E Dm6/F œ œ œ œ œœ  2 0 4 2 2 4 0 œ 0 Bm/D œœ œœ œœœ 10 11 8 9 œ œ 5 2 7 7 7 G œœœ œ 0 0 5 4 21 January 2014 GuitarTechniques 47 PLAY: CLASSICAL PLAYING TIPS To get a piece like this sounding as good as possible, cleanly articulated chord changes are vital. Once you’ve learnt the music and can play it 48 GuitarTechniques January 2014 ON THE CD TRACKS 9-10 CD TRACK 10 without mistakes, take some time to add in something of your own - playing pieces like this convincingly, is all about expression and feel.

GET THE TONE 8 5 7 7 4 GAIN BASS MIDDLE TREBLE REVERB Jabs has used Gibson Explorer guitars for much of his career, although in the 1980s he often used a modded Fender Strat with a single pickup and Floyd Rose bridge (as above). Aim for a humbucking rock tone with quite a bit of tight gain. You may need to roll some top end off the sound if you’re using single-coil pickups. For amps its classic Marshall type territory we’re looking for, but you don’t to spend a fortune; for the recording I used an Engl style computer plugin to get the sounds.

One of the wo rldÕs master guitarists gives us a rare insight into his playing style and strategy. Page 62 ON THE CD LEARNING ZONE TRACKS 11-16 30-Minute Lickbag BIMM Brighton tutor Terry Lewis has six more licks for you to play at easy, intermediate and advanced levels. See if you can nail the whole half dozen! EASY LICKS EXAMPLE 1 ANDY SUMMERS Summers’ expansive chord shapes that came to the fore in his days with The Police can be daunting at first, but if you look carefully you'll see some EASY LICKS EXAMPLE 2 AC/DC The Young brothers’ way of playing open chords generally involves leaving notes out, often the 3rd, for a punchier sound.

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